Instead of writing on the innocuous or potential damage trigger warnings cause, I’ve opted to write on one of my favorite times of the year: New Years. This won’t be a post on the ‘Best Books of 2015’ or ‘My Top Ten Favorite Books of 2015’ because that has been done to death and so many amazing books were released this year that, even if I tried, I couldn’t appropriately rank them but what I can offer is something I’m equally if not more passionate about: writing.
In reading Marina Keegan’s The Opposite of Loneliness: Essays and Short Stories, I’ve found several things to aspire towards next year in terms of my writing. If you have not read this book, I highly recommend it. Published posthumously after Keegan was killed in a car accident five days after graduating from Yale, the book contains a collection of Keegan’s essays and fiction/non-fictional pieces. She was so young and wrote witty, profound, generational pieces. The introduction, written by one of her Yale professors, disclosed Keegan’s ambitions and work ethic during Keegan’s undergrad days and also provided a list of what Keegan herself was hoping to improve on in her writing. And as a I writer, I asked, ‘have I ever made one of those list?” And the answer was immediately obvious. I’ve been editing my novel for over a year. I’ve rewritten most of it, feeling like some days, I’m reinventing the infrastructure of it. Subconsciously I’m well aware of what to look at. Cutting that needlessly long sentence (because I’m secretly trying to telepathically suffocate my readers?) Too many paragraphs that I should condense into one (because one critic told me to ‘take it easy on the readers’ eyes’ like half-a-page paragraph will cause a seizure or something.) Or my trying to be cryptic in the last line of a paragraph (because if I’m confused, you’re lost.) I know so many things about my writing but I rarely reflect on some of these major issues and articulating them may help to improve upon them.
I decided that in the year of 2016 to work on five things to improve on in my writing. I’ve compiled a list below stating each one and their significance.
By far, this area in my writing is the most challenging for me. Often when I read one of my awkwardly written sentences, the meaning and sound is virtually transparent to me. A professor advised that I read this aloud, and for the most part, it helps, but there are times that I simply don’t see the funky, grammatical formation impeding on my sentences. Partially responsible for this is my own awkwardness and the way I talk. Several people have argued that this is not true, however.
Nonetheless, it’s something I need to improve.
Ambiguity Doesn’t Mean Deep
This isn’t a grammatical problem; it’s a content problem. Sometimes when I’m deep in writing a metaphor/simile, I overreach. Like, I try way too hard to achieve some level of profundity that no one except me will understand. That’s not being clever. That’s obnoxious and will cause your reader to just stare at the page annoyed. You two will get into an argument because you’ll try to say that it has ‘so much meaning’ and your friend will tell you to shut up and move on from your pretentiousness. Has this happened? Yes.
I mostly find this wedged in the most mundane areas or at the end of paragraphs. I struggle with this more times than not, and I’ve found that if I have to debate it, it’s going into my dump folder.
Excessively Long Sentences (though impressive)
The phrase, ‘keep it simple, stupid’ could not apply more.
I’m someone who can write a ridiculously long sentence and actually make it work—sometimes. The problem that I run into is too many of these impressively long sentences that weigh the writing down and cause all sorts of confusing syntax and contextual meanings. Just because I can do it, I probably shouldn’t, or at least, use them sparingly. I can get so lost in thought, especially while having a Low (btw, my writing, if bogged down by an army of these sentences usually means I’m having one) that the meaning of the sentence is lost. Again, we need to keep our readers with us.
It. What is ‘It’?
The pronoun essentially used to describe or evade anything in any work. Sometimes, we don’t even know we’re doing this, but in writing, it’s very obvious, especially in mine. Seen often in the first draft of most of my works, I tend to skirt around and not directly say who or what is feeling or doing something keeping us under the umbrella of ambiguity once again (see a pattern? I do!)
‘It was a good day.’
Okay. What is ‘it’ referring to? Maybe the day? You? Me? Just say, ‘I had a good day,’ then! Don’t need to leave us wondering who actually had the good day, which I hope you’re having.
Because I’m not always writing things in the present tense, my work suffers. There’s a plethora of debates out there on writing literature in present versus past tense. Some find present tense awkward and some see past tense as a slow-paced form of writing. Whatever you prefer is fine. I actually write in both tenses. Oddly my short stories are usually in past tense while my vehement novel is present tense—for the most part. I sometimes slip and it’s not something detrimental to my writing, but it is something that I need to keep in mind during the editing stages.
Perhaps in the new year, I will post an excerpt of my novel. I keep referring to it but haven’t provided any explicit details about it. I know many writers are eager to share their works, but I’m usually hesitant. Then again, since this is a book blog, it might be appropriate since I hope one day to have said novel published.
To everyone, thank you for following. We’ve had a good year together, and I appreciate all your comments! If you have any recommendations of books you think I should read or are an author looking to get his or her book reviewed, send me an email at firstname.lastname@example.org. Don’t forget to review my Book Recommendation page first.
See you in the New Year!